A TIME FOR CHANGE
By
Van Nguyen
The conformist leadership with Party Secretary-general
Le Duan, obsessed with ideological dogmas, had striven in vain all through the
two five-year economic periods (1976-1985) to remedy the ailing economy and
stabilize political instability. In 1985, Hanoi declared that it had completed
the period of people’s democracy and paved the way for building socialism. To
pursue the goal, it pronounced to accede to demands for a socialist
transformation, politically and economically. In September 1985, Hanoi took a
general consensus of private industry and business enterprises, changed the
currency, and dispossessed the capital which was still in the hands of entrepreneurs
and businessmen. The People’s Council of Ho Chi Minh City selected Third District
for a pilot case. A large number of small manufacturing establishments and
trade businesses were in operation readily served at hand easy-to-access
conditions for study and investigation.
Attempts were made to change
the course of the existing failed centralism economy as carried out by Prime Minister
Pham Van Dong and his cabinet ministers. To the distress of the regime, after
ten years in operation, it brought the country’s economy to a standstill. To
effect change in conformity with pressing needs of “renovation” under the
pressure of economic depression and political unrest, Hanoi, again, revised its
ambitious intention. It stopped short its plans for socialist transformation
and worked headlong for “economic renovation.” This economic process was
ideologically interpreted as the by-passing period to socialism. Its ultimate
goal was to transform Vietnam into a Communist country.
On June 2, 1986, the
Chairman of the State Council Truong Chinh decided to dismiss from key positions
the highest cadres who failed in their responsibility to redress the corrupt
bureaucracy and ailing economy of the country.
The chairman had, nevertheless, seemed no conceive no clear vision of the
renovation that was in full swing in the USSR. He made his official visit to the USSR. On
August 12, 1986, he had a conference with Party Secretary-general Mikhail Gorbachev. In November 1986, he came to Moscow to attend
the conferences of world top Communist party leaders and the COMECON.
After
cautious preparations, and under the pressure of the situation following the
passing away of Party Secretary–general Le Duan, the Central Committee of the
Communist Party of Vietnam, on December 18, 1985, elected Nguyen Van Linh, Party-secretary
of Ho Chi Minh City, to Party Secretary-general. Nguyen was believed to have
been entrusted with power to carry out a policy modeled on Mikhail Gorbachev's
plans of renovation of the economy and restructuring the administration Upon assuming his functions, Secretary-general
repeated his venerable Ho Chi Minh's gesture,
using the pen name XYZ during the Resistance War to rectify cadres and
officials’ errors in their conduct of public affairs. Nguyen used his initials
NVL in the official press to popularize his ideas and ideas about "renovation." In
this endeavor, the press was encouraged to engage in the revelations of
the errors and mistakes in the conduct public services as well as the flaws
found with State agencies or setbacks entangled in government's programs.
“Doi
Moi” (renovation) was officially adopted at the Seventh Party Congress in
mid-December 1986. The socialist economy was to be substituted by some forms of
market economy –“market socialism.” Plans would be carried out to promote
intricate changes from collectivism, State-controlled economy, to economic
openness, opening up the door to welcome non-communist countries.
Insurmountable difficulties were still problematic impediments, nevertheless.
The burning failures of the five-year plan (1976-1980) and erroneous
administrative, economic and financial measures (1981-1985) farfetched the Communist
Party to carry out the policy of
“doi moi,” Cleavage and internal
conflict emerged as the regime moved into the new era..
Nguyen
Van Linh, showed himself the champion
of openness in the fashion of Mikhail Gorbachev. At a conference
in Hanoi on October 1987, Nguyen recommended writers, artists, and the intellectuals
of the country to tell the truth, to fight against authoritarianism, and
corruption. He had two days for debate on an ideological examination on the
role of the arts with the intelligentsia. He opened his heart and vowed to
devote himself to then “unbinding the arts.” He recommended the regime's
journalists and writers not to deface reality, to tell openly and truthfully. The
secretary-general set examples himself in action. He published on the daily “Nhan
Dan” (The People) a series of articles entitled "Things that have to be done right now."
He revised and denounced “negative
phenomena." He gave the journalists and writers “carte blanche” to perform their tasks. A breeze of “democratization”
fanned in the arts circle, enlivening inspiration for many journalists and
writers to engage in the battle for "renovation.”
On
October 6, 1987, the Party Secretary-general sat for hours listening to some
hundred writers, artists, and members of the intelligentsia, running through the
actual situation of the country. It was really “an act of openness” to the audience.
The literary critic Nguyen Dang Manh had favorable remark, exclaiming: “In the
past, in the meetings with the leaders of the Party and State, it was the
leaders who spoke from one end to the other of the matter, or almost all. This
time, it is a whole reversal. This unique act is a clear indication of
renovation.” A gesture of friendliness was
revealed in the friendliness of the Party secretary-general himself. He
listened with enthusiasm and without interruption to “antagonists to the
regime.” The young female novelist Duong Thu Huong, the author of the best-seller
novel of the year of 1987 "Ben Bo
Ao Vong" (Beyond Illusions).expressed views so freely and openly in
her speech that she made the editors of
the weekly “Van Nghe” (The
Arts) sit up with a start. The audience was an embarrassing an awkward
situation that had never happened before. The weekly did not even mention her
name in its list of speakers at the meeting in its report later.
Nguyen Van Linh’s speech was termed as
"typically simple and frank,"
symbolizing a gesture of leniency of a "leader who has experienced trials of oppression under French
domination and the restlessness of the age.” During hours later, the
Secretary-general satisfied himself with listening to interlocutors with issues
he had initiated from the start: He
said: "It seems that from the Liberation of the South (1975) until this
day (1987), the arts has been impoverished in thought and expression. Is that
true? What Is that about? If that is
false, I will be the first to warm the cockles. If not, why are we at fault,
then? Does that come from certain constraints and harsh regulations of censorship
imposed on the artists from the high authority above?
The effects
of "renovation" appeared to be exiguous. The country stil suffered economic depression. At the end
of August 1989, a month before the withdrawal of the People’s Army from Kampuchea,
Nguyen Van Linh had to acknowledge that the economy was extremely deteriorating.
From 1986 to 1990 renovation was at stake.
At the end of August 1989, a month before the People's Army
Expeditionary Corps' withdrawal from Kampuchea, Nguyen Van Linh had to acknowledge
that the economy deteriorated. Coincidentally, political developments in the
Eastern European Communist Bloc worsened and made deep impact on “renovation” in Vietnam. The Chinese
students' uprisings in Canton, Shanghai, and Beijing in June 1989; the struggle
for freedom and democracy and economic reform in Poland, East Germany, Hungary,
Bulgaria, and Romania; the demands for economic reforms, political pluralism
inside the country exerted increasing political pressure for change on the leadership
of the Communist Party of Vietnam.